Thomas Moran, born Bolton, England - Goose Creek, Sheridan (Wyoming) - 1892 - T-Shirt

Write a Review
$19.99 - $26.99
Shipping:
Free Shipping
Adding to cart… The item has been added

Mix & Match Discount

  • Any 3 Items — 10% off
  • Any 5 Items — 20% off
  • Any 10 Items — 30% off
Mix & match anything sitewide — combine tees, hoodies, and more. Discount applies automatically at checkout.

Thomas Moran, born Bolton, England - Goose Creek, Sheridan (Wyoming) - 1892 - T-Shirt

This pencil study shows mountains stepping down into an open valley, with a creek winding through the foreground.

Visual Elements & Composition

Cream paper fills most of the sheet, and graphite grey lines carry the whole drawing. A higher, angular peak with ridged slopes takes up the right side, while rounded foothills rise on the left. A horizontal band of trees runs across the middle ground, drawn as loose, scalloped strokes. In the foreground, a stream threads through the lower part of the picture, marked by a few light lines for its banks and pools. The inscription at the top gives the place, Goose Creek near Sheridan, Wyoming, and the date, July 3.

Meaning & Symbolism

The drawing records a quiet stretch of country rather than a dramatic event. Goose Creek lies in the foothills of the Bighorn range, and the sketch shows how the mountains open onto the valley where the water runs. Thomas Moran was born in Bolton, England, in 1837, emigrated to America as a child, and became one of the best-known landscape painters of the nineteenth century. He is closely associated with the American West and the Yellowstone region. This 1892 sheet is a field study of the kind he made on his travels, a note on the arrangement of land and water that fed his finished paintings. The original is held in the Smithsonian American Art Museum collection.

Worn on a Tee

A study built from open lines and bare paper suits a garment that is seen up close and in motion. The ridgeline sits across the chest, the trees form a band at the midsection, and the creek runs down toward the hem, so the drawing reads as the land itself rather than a single image. Each line stays where Moran placed it, which is the point of the sketch: a quiet record of a real place, made on the spot, now carried through the day.

Specifications

Product Details

Size Guide

Care Instructions