War Department - Behind Montmirail, American Division - 1918-07 - T-Shirt

Write a Review
$19.99 - $26.99
Shipping:
Free Shipping
Adding to cart… The item has been added

Mix & Match Discount

  • Any 3 Items — 10% off
  • Any 5 Items — 20% off
  • Any 10 Items — 30% off
Mix & match anything sitewide — combine tees, hoodies, and more. Discount applies automatically at checkout.

War Department - Behind Montmirail, American Division - 1918-07 - T-Shirt

A charcoal and coloured crayon drawing by George Harding shows a column of horse-drawn supply wagons and mounted troops moving along a raised road near Montmirail in July 1918.

Visual Elements & Composition

Pale grey and charcoal dominate the sheet, with sage green, terracotta and warm cream appearing in smaller accents. The wagons, with their canvas covers and spoked wheels, form a long procession that runs through the centre of the composition between tall trees. Mounted soldiers in helmets ride at the left and right edges, and a single soldier on foot walks in the lower centre. Low white and red-roofed houses sit behind a stone wall on the left, and the road curves back into foliage and open fields. The lettering "GEO. HARDING A.E.F." and "NEAR MONT MIRAIL" appears on the drawing itself.

Meaning & Symbolism

The drawing turns away from combat and looks at the supply work that kept the army moving. Wagons carrying equipment forward and riders keeping the column in order stand for the logistics behind the front line. George Harding was attached to the American Expeditionary Forces in France during the First World War, and this sheet is part of his wartime record of American troops. He worked quickly in charcoal and crayon to capture movement and atmosphere, and this view of the rear areas belongs to that documentary body of work, held in the collection transferred from the War Department.

Built for the Long Column

A procession of wagons and riders suits a shirt that carries a whole scene across the chest rather than a single figure. The eye moves along the road from one side to the other, so the design reads as a continuous march. Charcoal tones and soft, smudged edges translate naturally to the front of a tee, where the drawing's quiet, muted palette sits comfortably against the body.

Specifications

Product Details

Size Guide

Care Instructions